Making Uruguayan Cinema Visible: Distribution Challenges in the Face of Streaming Platforms. Interview with Gabriel Massa

Authors

DOI:

https://doi.org/10.22235/d.v38.3701

Keywords:

film distribution, Uruguayan cinema, streaming platform, cultural policies

Abstract

In the last decade, various initiatives have been launched to improve the distribution of Uruguayan cinema, which has historically struggled to compete with the market dynamics dominating the commercial circuit. Notable among these efforts is the establishment of a new circuit for national cinema through public venues and collaboration with the Cinemateca Uruguaya, as well as the development and launch of the streaming platform CineUY. In this interview, we speak with Gabriel Massa, one of the most significant distributors and cultural managers of national and independent cinema in Uruguay, about the main challenges in distribution and the unique aspects of CineUY: its potential as a repository of national cinema and the weaknesses that have hindered its broader visibility.

Downloads

Download data is not yet available.

References

Albornoz, L., & Krakowiak, F. (2023). Democratising access to domestic audiovisual production in the digital environment: the case of the Argentinian VOD service Cine.Ar Play. International Journal of Cultural Policy. https://doi.org/10.1080/10286632.2023.2195421

Cano, A. (Directora). (2021). Bosco. Uruguay: Mutante Cine.

Garay, A. (Director). (2015). El hombre nuevo. Uruguay: Cordón Films.

García, A. (Director). (2022). La uruguaya. Argentina/Uruguay: Orsai Cine.

Pritsch, F. (2021). Hacia una idea de cine popular. Producción, representaciones y circulación. En G. Remedi (coord.), La cultura popular en problemas. Incursiones críticas en la esfera pública plebeya (pp. 243-276). Zona Editorial.

Radakovich, R. (2015). Consumo cinematográfico en Uruguay. Sobre gustos y valoración social del cine nacional. Versión Estudios de Comunicación y Política, (36), 100-112. https://versionojs.xoc.uam.mx/index.php/version/article/view/616/612.

Rey, M., & Soria, F. (2015). Concentrado de película. La distribución de cine en Uruguay. Revista Tercer Film, (3). https://www.revistafilm.com/wp-content/uploads/2015/12/Tercerfilm-N3-PDF-web.pdf

Rodríguez Brites, J. (2018). Producción de largometrajes en Uruguay: un análisis desde la Teoría General del Costo [Tesis de maestría, Universidad de la República, Montevideo]. MPRA. https://mpra.ub.uni-muenchen.de/106185/

Uruguay. (2008, 16 de mayo). Ley n.° 18.284: Creación del Instituto del Cine y el Audiovisual del Uruguay y del Fondo de Fomento Cinematográfico y Audiovisual. https://www.impo.com.uy/bases/leyes/18284-2008

Published

2024-02-22

How to Cite

Pritsch, F. (2024). Making Uruguayan Cinema Visible: Distribution Challenges in the Face of Streaming Platforms. Interview with Gabriel Massa. Dixit, 38, e3701. https://doi.org/10.22235/d.v38.3701

Issue

Section

Interviews

Similar Articles

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.