From a Biological Entity to a Social Monster. A Semiotic Construction of the Coronavirus During the Covid-19 Pandemic

Abstract

During the first half of 2020, the novel coronavirus —a biological entity invisible to the human eye— was represented in multiple images, audiovisual products, descriptions, narratives and other modes of visual and verbal articulation. Many of these were developed by international organizations, governments and media outlets, amongst other social actors, with the aim of rendering the threat posed by the virus more tangible. At the same time, these representations also helped shape how people made sense of it in cognitive and emotional terms. Assuming that social reality is constructed in multiple and dynamic processes and interactions that imply the production, distribution and consumption of meaning at various levels, this article examines from a semiotic perspective one of the modes of representations of the coronavirus during the COVID-19 pandemic: the one grounded on the overarching narrative that depicted the virus as an evil enemy that poses a threat to humanity and that, consequently, needs to be fought. The article organizes the study of a number of representations of the coronavirus in three levels —the iconic, the axiological and the narrative— and discusses how the discursive construction of an enemy involves a series of mechanisms of semiotic nature that, besides somehow representing it, also shape its social construction.

*This article was originally published in 2020, in English, under the title "From a Biological Entity to a Social Monster. A Semiotic Construction of the Coronavirus During the Covid-19 Pandemic," in the Italian journal Fuori Luogo, 7(1), pp. 105-115. DOI https://doi.org/10.6092/2723-9608/7041. The translation from English to Spanish —which is unchanged from the original version, except for the addition of new bibliographic entries— was done by the author.