Approaching Semiospheres Through lists of Songs: The Semiotics of Musical Playlists

Authors

DOI:

https://doi.org/10.22235/d.v38.4050

Keywords:

playlists, semiosphere, music, lists, collections

Abstract

This article uses a cultural semiotic perspective to examine how musical playlists can serve to define and characterize semiospheres. It begins with a discussion of cultural semiotics and the analytical challenge of accessing a semiosphere through music. Then, it focuses on the role the lists play in defining, describing, and characterizing a semiosphere. Finally, it discusses how musical playlists —collections of songs grouped following a rule or criterion— can define and characterize a semiosphere. The analytical section studies three general types of semiospheres linked to (1) space, (2) time, and (3) collective identities.

Note: This article was originally published in English in 2023 under the title "Approaching Semiospheres Through Lists of Songs: The Semiotics of Musical Playlists," in the journal Punctum, 9(1), pp. 13-29. DOI 10.18680/hss.2023.0002. The translation from English to Spanish —which only presents some formal changes and a final addendum as modifications to the original version— was made by its author.

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References

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Published

2024-08-08

How to Cite

Moreno, S. (2024). Approaching Semiospheres Through lists of Songs: The Semiotics of Musical Playlists. Dixit, 38, e4050. https://doi.org/10.22235/d.v38.4050

Issue

Section

Research articles