Television in times of streaming

Authors

DOI:

https://doi.org/10.22235/d35.2735

Keywords:

television, digital medias, infrastructure, platforms, network studies

Abstract

The goal of this presentation is to situate television studies in the context of the technological transformations which triggered the emergence of the digital platforms and their possibilities of content distribution. It starts with a warning on common assumptions from technological determinism perspectives triggered by the enthusiasm on the possibilities that the new media ecology has brought for television distribution; continuing with a reflection on the academic traditions and the way they account for the new modalities of what television is today. For this purpose, a brief survey on the perspectives of television studies and the surge of digital media studies is presented. In relation to the later, infrastructure studies, platform studies, and network studies have gained relevance because they capture the new reality of television on times of streaming. This presentation is based on a theoretical and methodological revision about the centrality of distribution, and its evolution into infrastructure studies (Piñón, 2018, 2019); but also guided by the contribution on television studies and digital media studies proposed by Ramon Lobato (2019).      

Downloads

Download data is not yet available.

Author Biography

Juan Piñón, New York University

Ph.D., Associate Professor, Media Culture and Communication Department, New York University.

References

Aouragh, M., & Chakravartty, P. (2016). Infrastructures of Empire. Media, Culture and Society, 38(4), 559-575.

Appadurai, A. (2005). Modernity at large. Cultural dimensions of globalization. (7ª edición). Minneapolis, MN: University of Minnesota Press.

Bourdieu, P. (1984). Distinction. A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.

Couldry, N., & Mejías, U. (2019). Data Colonialism: Rethinking Big Data’s Relation to the Contemporary Subject. Television & New Media, 20(4), 336–349.

Elsaesser,T., & Hagener, M. (2015). Film theory and introduction to the senses. (2ª Edición). Londres, Reino Unido: Routledge.

Gillespie, T. (2010). The politics of ‘platforms’. New Media & Society, 12(3), 347–364.

Havens, T. (2002). “It’s still a white world out there”: the interplay of culture and economics in international television trade. Critical Studies in Media Communication, 19(4), 377-397.

Havens, T. (2014). Media Programming in an Era of Big Data. Media Industries Journal,1(2). doi:10.3998/mij.15031809.0001.202

Helmond, A. (2015). The Platformization of the Web: Making Web Data Platform Ready. Social Media + Society, 1(2), 1–11.

Jenner, M. (2016). Is this TVIV? On Netflix, TVIII and binge-watching. New Media & Society, 18(2), 257–273.

Lobato, R. (2019). What is Netflix. En Netflix Nations. The Geography of Digital Distribution (pp. 19-46). New York, NY: NYU Press.

Lotz, A. (2007). Television will be revolutionized. New York, NY: NYU Press.

Lotz, A. (2017). Portals: A treatise on Internet-distributed television. Ann Harbor, MI: Michigan Publishing University of Michigan. doi:10.3998/mpub.9699689

Napoli, N. (2014). On automation in media industries: Integrating algorithmic media production into media industries scholarship. Media Industries Journal, 1(1), 33-38.

Negus, K. (2002). The work of cultural intermediaries and the enduring distance between production and consumption. Cultural Studies, 16(4), 501-515.

Park, L., & Starosielski, N. (2015). Introduction. En Signal Traffic. Critical Studies of Media Infrastructures (pp. 2- 27). Urbana, IL: University of Illinois Press.

Piñón, J. (2018, agosto). This is not the end, but a new beginning for television. Presentado en el XIII International Seminar of the Ibero-American Television Fiction Observatory (OBITEL). Universidad de Sao Paulo, Sao Paulo, Brasil.

Piñón, J. (2019). USA: Network infrastructure of the internet television industry. En M. Immacolata & G. Orozco (Eds.), Television distribution models by the Internet: Actors technologies, strategies. Ibero American Observatory of Television Fiction OBITEL (pp. 307-340). Globo Universidade, Editora Sulina.

Plantin, J.C., & Punthambekar, A. (2018). Digital media infrastructures: pipes, platforms, and politics. Media, Culture & Society, 41(2), 163–174.

Plantin, J.C., Lagoze, C., Edwards, P. N., & Sandvig, C. (2018). Infrastructure studies meet platform studies in the age of Google and Facebook. New Media & Society, 20(1), 293–310. doi:10.1177/1461444816661553

Siles, I., Espinoza, J., Naranjo, A., & Tristán, M.F. (2019). The mutual domestication of uses and algorithm recommendations on Netflix. Communication, Culture, and Critique, 12, 499-518.

Van Dijck, J., Poell, T., & de Waal, M. (2018). The platform society. New York, NY: Oxford University Press.

Vonderau, P. (2014). Beyond piracy. Understanding digital markets. En J. Holt and K. Sanson (Eds.), Connected viewing. Selling, streaming and sharing media in the digital age (pp. 99-122). New York, NY: Routledge.

Williams, R. (1990). In Television. Technology and Cultural Form (2nd ed.). New York, NY: Routledge.

Wu, A., Taneja, H., & Webster, J. (2020). Going with the flow: Nudging attention online. New Media & Society, 23(10), 2979-2998.

Published

2021-11-17

How to Cite

Piñón, J. (2021). Television in times of streaming . Dixit, (35), 128–140. https://doi.org/10.22235/d35.2735

Issue

Section

Conference

Similar Articles

<< < 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.